"The Perfect Human: An avant-garde rebellion against Classical Hollywood style." Short Film Studies 5.2 (2015): 41-44.
"A Supernatural Spectacle: film style within the prologue of Black Swan." Supernatural Studies 4.1 (2017): 11-23.
"Cruel summer: Decoding subtext through shot design in The Beach." Short Film Studies 7.1 (2017): 35-39.
"Imposition to Sight: Visual technique in M. Night Shyamalan's Signs." Mise-en-Scene: The Journal of Film & Visual Narration 2.1 (2017).
the ideal candidate: solaris as philosophical riddle box (senses of cinema)
fatal femme: bruno antony and hitchcock's film noir (presented at analyzing the 1950s: media, politics, culture conference - texas christian university - November 15, 2014)
silent subversions: exploring the enigma of female spectatorship in silent cinema (rhode island college)
binge-watching is bad for your health
finding love within light and shadow
horror movies (occasionally) rock
tom hardy in refn's bronson: brief notes on objectification
an analysis of wes anderson's hotel chevalier
an analysis of the coen brothers' no country for old men
fatal femme - bruno antony as hitchcock's homosexual femme fatale
beautifully flawed: the dark knight rises - first thoughts
cinematography - lights in the eyes
2010 - a look back at 24 frames per second
2009 - a look back at 24 frames per second
newtown shooting: on the media
semiotics and the confederate flag controversy
hot flush: sexual trysting and public restrooms
warhol, beuys, and radiohead: a sampling of art for the proletariat
Short Stories (links temporarily disabled)
the bones of the dead
bathwater fever dream
a conversation with an old man
to bring you my love
Short Screenplays (links temporarily disabled)